Friday, September 30, 2011

A momentary lapse of confidence






       Had a great time last night at the opening of the '88 Strong' show in Portland. Was happy to see a select few friends come out to support the work on the walls. I have to say that I enjoyed the work I did for the show, but so wanted to see a piece sold before the night was out. As we consumed a few pints of beer, blank spots started to show themselves on the wall. Somehow in the back of my mind as pieces were being bagged and taken home, I had this disheartening premonition that when the show finally came down off the walls, I'd show up and be the only one with anything to pick up (please let that not be so...) 

        The conversation was casually business oriented and real enough to remind me of all the things I need to make happen in the immediate future if I want to really sustain myself as an illustrator. It would seem that a media/advertising blitz is in order. Along with working on submissions for publications and possibly artist representatives, I need to trim the fat off the old portfolio and find a consistent look and direction to make my work marketable as well as enjoyable to create. Spent the day today creating some pages for The Brass Knuckle Rituals and seem to finally be getting some momentum needed to finish out the books I want to unveil at next years Emerald City. So that was encouraging...while the uncertainty of the future looms ever present in my mind, the current project can sometimes show a little light in an otherwise seemingly endless tunnel of tasks. One step at a time, one step at a time.


Daniel DePaolo

Thursday, September 22, 2011

Tools of the trade, or you pay for what you get

             Specializing in a certain field, you find quickly that spending the money on quality tools can be the difference between a better than expected result and one that you'd rather not put your signature on. When I was an avid snowboarder, this point was driven home to me everyday out riding in the cold, snowy mountains of the Rockies. As much as I would have liked to scrimp and save, sometimes spending that extra amount meant the difference between staying dry and warm in a windy snowstorm, and the very real possibility of frostbite on your extremities.
             The more I work with a variety of tools creating my artwork, I find this lesson to be a general truth in all things. You really do pay for what you get. Which brings me to this ink drawing of the octopus. As I develop my style and my method of image making, I'm trying to find a 'Happy Medium' between my pencils and my inks. Which has meant that lately I draw a lot in straight ink, just to remind myself of what I can do without a pencil line, and also to work out the inking 'chops'. Normally I do this using a Pentel Pocket Brush Pen. However, after working with a little higher quality brush pen at one of my Illustration Club meetings, I decided to get out and pony up the dough for a little higher dollar item. This octopus was created using a Kuritake Brush Pen that I picked up a Columbia Art Supply on Burnside in Portland. So far, I'm enjoying the results and I hope to share more with you on a regular basis. This guy is just cool enough to use as a template for a poster. I'll be sure to let you see him when the colors are all done. My whole point today being that sometimes the only difference between an amateur result, and a more professional one in a persons work can be the difference between a $15 pen and a $35 one. So save up, sometimes its worth the extra cash.

Daniel DePaolo

Wednesday, September 21, 2011

More selections from the 88 Strong Show






       Hey friends, do you have $50? Do you have Thursday Sept. 29th free? Come on out to the Goodfoot for Last Thursday, and the opening on the '88 Strong' show. Cash and carry...all sorts of small pieces from the plethora of artists living here in Portland. I'll be there with a pint in hand. Will you be?

Smartphones- acrylic on board

Thursday, September 15, 2011

88 Strong and other projects

 
It's starting to look a lot like fall here in the Pacific Northwest (but admittedly summer was a bit of a let down this year), and that means that work is starting to come at a regular pace and that I'm scheduling my time on a weekly basis. Which means, more regular blog posts (for those ten people out there who really care), more comic work for Neo-Trash and for myself, and the other odds and ends that round out a healthy free-lancers schedule. 

I'm particularly excited and proud to be a part of an upcoming show here in Portland called '88 Strong'. The whole concept behind the show is that 88 (or more) artists are provided with 8 8x8 inch boards to work on, and a list of 88 terms/phrases to draw inspiration from. When the show is up and ready to view later on this month, the pieces are hung by category, and presented in an anonymous fashion on the wall. Some would poo poo this idea stating concerns for proper credit given to the artist of each piece, but my take on it is similar to the guys who curate and put on this show. The idea of a level playing field my seem like a naive concept when it comes to the 'artworld', however to me, it means that as a first time participant, my work might be given as much consideration as an artist who is 'someone' here in Portland. Of course, the back of each board is signed, and has my business card taped to it (I'm not right off the turnip truck here folks), so if you really buy my stuff you'll know right away who did it. It also marks the first time in a long time that I've painted my works, and just working on these eight pieces has reinvigorated my passion for paint and brush. It would seem that being a slave to line is detrimental, and all it takes is a little paint to remind you of that. With that being said, if you've got $50, you can come down to The GoodFoot on Thursday Sept. 29th and walk with a great piece of original art that won't break the bank and will stroke the ego of some young up and comers here in the Portland area. Don't worry, I'll remind you. The illustration at the top of this post is 'Junk' (or my interpretation of that concept). Enjoy...

Daniel DePaolo




    

Saturday, June 18, 2011

Eugene Weekly cover and other "work"

      Holy cow!! It really has been a month since I last updated this thing. I apologize to my ten followers for depriving you the "joy" of reading my oh so insightful entries. I've been busy since I last jumped on here.
      I picked up a recent cover for the Eugene Weekly (see above image). The illustration is a supplement to a story about Carbon Sequestration (I hope I got that right). So what, you ask, is that? Here's the short and skinny of it. As various industries are being made aware of their total contribution of carbon dioxide into the atmosphere, they are coming up with creative ways of essentially sweeping the excesses under the rug (so to speak). Rather than addressing the problem and striving to manufacture with less overall CO2 emissions, the latest idea taking hold is carbon sequestration. Essentially a large pipe pumps excess CO2 down into the porous bedrock of the earth. The only problem here being that in some of the "test sites" that CO2 is escaping from the ground, causing sickness in humans and livestock (cattle), and killing smaller animals with less ability to filter out these harmful emissions. So yeah, the whole idea behind this illustration was to give a bit of a smack over the head for people and make them aware of something that really gets little attention from our mainstream media in the first place. It was a fun image to create and I'm glad to say that my work has now been featured by the Weekly 3 times over the years.
       I'm also happy to say that I'm picking up a couple paying free-lance gigs that have also lead to other parties interested in my work (I don't wanna let the cat out of the bag yet, but I'm talking with someone right now in the hopes of starting work that will not only pay me what I'm worth, but get great exposure at the same time). Needless to say, I'm keeping my fingers crossed.
        On the comic front,  I've finished the thumbnails for a 26 page story (Shell) of my own creation here in the last month, and I hope to be able to turn that out by Emerald City 2011. I'm also moving along to the thumbnails for The Brass Knuckle Rituals issue 1.2.  Our fourth 27 page book featuring Everyman Jones as he continues his adventures in the asylum of Dr. Moon. I've taken a break from this book for a few months, because this issue will be epic (in scope, and execution) and I wanted to come at it from a more rested perspective so that it kicks ten sorts of different ass. I for see completing thumbnails and moving on to the plotting and thumb-nailing of our first issue of, Dinos with Guns or The Muscle. This project is a creation of my own based off a title proposed by the inimitable Jason Zachary Pott, and I'm looking forward to having this on the table as well by next years Emerald City ComiCon.
         So yeah, all in all, I'm keeping the nose to grind stone and churning out comics, graphics, whatever in a timely manner for all those who come looking. It'll be a hell of a year, if my chips fall where I think they will. I'll keep you posted folks. While summer may not actually be a sunny one, yet, my outlook is picking up. Back to the grind. More to come, always...  
          

Tuesday, May 17, 2011

Wonder Northwest 2011- wrap up






         Wow!! What a fun weekend. What was going to be a one day opportunity to table at this year's inaugural Wonder Northwest (a celebration of all things geek) turned out to be a two day extravaganza of gaming, costumes, comics, figures, toys, and general nerdy greatness. While packing my things from a very successful first day, Billy from Billy Galaxy approached me and asked if I'd like to drop in the next morning because he had suspicions that tables in the "artists alley" area might not be all full. I packed out my gear for the day and kept it close to the door for the next morning. After having a few beers at the Lovecraft themed bar in inner SE with my fellow drink and draw buddy Alan on Saturday evening, I showed up the next morning lagging a little but able to unpack and once more offer my wares to the attendees for the second day in a row.
          Let me just start by saying that if this was what the show was like in its first year, it's only going to get better next year, and the year after. I had a great time hanging with the other artist neighbors I was privileged to table next to. I sold a good number of posters, sketch cards, and Neo-Trash Comix. I was surprised and impressed. The staff was great, attentive, and organized, overall the whole show went off without a hitch. Traffic wise it was lighter than most expected, but its also the shows first year...I mean you can't just start something up and expect it to instantly be San Diego Comic Con, or Emerald City...you gotta build to that.
           Highlights of the weekend included the guy who came by the table and had me draw a robot on a comic backing board, only to return a few minutes later asking for a paid Deadpool sketch. He complimented me enormously by comparing my style to that of Skottie Young, a great comic artist in my eyes and a new found influence on my work. If you haven't gone out and picked up his work on any of the OZ books from Marvel you are doing yourself a major disservice, it's loose and amazing. Not to mention after meeting him at this years Emerald City show, he's also a hella nice guy and easily approachable for a prolific comic creator.
            I can't point out highlights without mentioning the guy from Hawaii who came by the table twice to buy four of my prints. He said that he and his friends had been in town for a few days, and he was looking all over for "cool stuff" to bring back to the islands for his friends to enjoy.  Until he stopped at my table, his search in the Portland area had been a bust. So color me humbled by the fact that my stuff was what he was looking for for his friends, and if you're reading this man, "Thanks for the enthusiasm and for coming back for more!"
            ...Another of the great conversations came on the tail end of the weekend, in fact the last sale of the show. Two younger girls, who were working the show at a vendors booth, came by the table and slowed considerably when taking in the sketch cards laid out all over the table. They were hooked, and had a hard time deciding on just the right ones for themselves. One of them also showed a great amount of interest in my Air Jellies print as well. She was saddened to realize they were $10 a piece, and had to wander to an ATM to get more cash for the purchase. Needless to say, I felt a little bad for making them have to go on another mission just to get money for one of my prints. To make it up for their effort, I threw in one of the many sketch cards I did over the weekend as a freebie. Yeah, I know I'm a big softie, but they were pleased as punch, and I figured what better way to wrap up the show than a small act of kindness.
           Yeah, it was a fun time. I hope to participate in next years show. Billy has set up something that this town has needed for a while, a well done, well organized show that embraces all things geek. Not just comics, we're talkin' video games you haven't played since you were little, She-Ra, He-Man, Star Wars figures, all in their original boxes. A veritable cornucopia of collectibles, and an equally enthusiastic crowd of vendors and participants made this a weekend that has brightened the outlook for this creator. You can put on a good show, and not have it in a concrete bomb shelter suffused with nerd stink. Beware Portland Comic Show, beware Rose City Comic Con (if you ever actually are able to put on a show) cause Billy and his crew have upped the bar. It's like I told my friend Sean Harrington (the guy who's recommendation happened to get my images on the badges and the cover of the program. Thanks Sean!!), the first one in this town to do this right wins, hands down...Now the rest of you gotta up your game...cause this babies gonna grow to something good...count on it...
 

Friday, May 13, 2011

Wonder Northwest 2011

          Hey fellow followers! Just a quick update for you on this Friday the 13th. I'm chillin' at home working on some sketch cards for tomorrow, enjoying the new Beastie Boys album (which by the way is much better than the last). Speaking of tomorrow, I've been lucky enough to be invited to table for the inaugural year of Wonder Northwest 2011. A small convention aimed at gathering great collectors of all things nerdy. It's full of vendors and collectors of everything from vintage video games, to rare hard to find comics, and action figures that are guaranteed to bring you back to an earlier time.
          I feel very lucky to have been invited to table in the very limited artists alley, and will have original artwork, posters, the full line of Neo-Trash Comix, and a selection of 15 one-of-a-kind sketch cards available for the discerning collector. For those who are familiar with my work you will also see my graphics on the badges for the guests, staff, and vendors of the show. I'm also pleased to say that my Space Rhino image will be gracing the cover of the program as well. So hows that for f'ing cool!! It'll be a great show, with little to no out of pocket cost to visit for the day or the whole weekend. Hope that those who have $6-10 can make it out and support this show in it's infancy.  I'll be tabling Saturday only, so if you want to come out to specifically catch up with me come 10-5 Saturday...
           I'm hoping that this weekend generates a little buzz for a new convention in the Portland area. I feel that this town deserves a well planned show that isn't in a stinky basement filled with molding cardboard boxes and collectors with no standards of personal hygiene. Hopefully Wonder Northwest will become something more akin to the full fledged cons you get in San Francisco or Seattle, but only time will tell. Come out friends and make this weekend one that can only grow into something better. Hope to see you there!!

Daniel DePaolo